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| Issue |
Title |
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| Vol 41, No 1 (2023) |
Man – City – Universe: The City between Identity and Strangeness in Some Central European Novels of the Second Half of the 20th Century |
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Tereza Knotová |
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| Vol 41, No 2 (2023) |
Mont-Oriol or Maupassant’s Auvergne : The Geopoetic Approach |
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Jihane Tbini |
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| Vol 40, No 2 (2022) |
Pleasant with useful, or time well spent reading Homo sapiens [Rev.: S. Przybyszewski, Dzieła literackie. Edycja krytyczna w jedenastu tomach, t. 3 Homo sapiens. Trylogia. I. Na rozstaju, II. Po drodze, III. W malstromie, wstęp, edycja, komentarze i dodatek krytyczny Ewa Skorupa, Wydawnictwo Uniwersytetu Jagiellońskiego, Kraków 2022] |
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Agnieszka Kuniczuk |
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| Vol 39, No 2 (2021) |
Inter arma silent Musae. Jacek Komuda Without Chiaroscuro |
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Dawid Piotr Kopa |
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| Vol 39, No 1 (2021) |
Preserved Fragment of the Autograph of "Pan Graba" by Eliza Orzeszkowa – Editorial Work |
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Agnieszka Bąbel, Agata Grabowska-Kuniczuk |
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| Vol 39, No 1 (2021) |
The Influence of Literary Institutions on the Origin of Works. "Księżniczka" by Zofia Urbanowska as “a Fruit Fallen from the Tree of a Contest” |
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Iwona Przybysz |
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| Vol 38, No 2 (2020) |
Elżbieta Oraczowa / Elizaweta Oracz. Eugenia Żmijewska in Relation to Eliza Orzeszkowa |
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Tadeusz Budrewicz |
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| Vol 38, No 2 (2020) |
What is Kraszewski’s Mermaid Silent about? |
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Magdalena Rudkowska |
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| Vol 37, No 2 (2019) |
Wordplay with Names and Onomaturgic Constructions in L’enfant léopard (1999) by Daniel Picouly |
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Giorgio Sale |
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| Vol 36, No 2 (2018) |
Archival Criminal Reportages. Retro-Criminal Para-Literature |
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Rafał Tomasz Szczerbakiewicz |
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| Vol 33, No 1 (2015) |
Model of a romantic hero in selected works by Juliusz Słowacki (Arab, Balladyna, Lambro, Mazepa) |
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Mirosława Sielewońko |
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