How Far From a 19th Century Flâneur? A Female Urban Walker in Paul Auster’s In the Country of Last Things Abstract

Julia Kula

Abstract


The research paper is going to revolve around Paul Auster’s urban dystopia entitled In the Country of Last Things. Yet, my claim is that the novel may also be categorised as an American city novel in which flâneuristic account plays a significant role. The focal point of the paper is going to be the comparison between Austerian figure of the urban stroller with a traditional one as developed in the 19th century Paris. Although since then there have been numerous transformations and reformulations regarding literary representations of the city walker, I shall examine the protagonist Anna Blume in reference to features characteristic for a traditional 19th century urban stroller. Some theorists claim that women cannot be regarded as city walkers; yet, the aim of the research paper is to prove that Anna, although a female character, can be considered as a postmodern variation of a flâneur.  

Auster’s fictional world might be compared to Lewis Mumford’s “theater of social action”[1] where the inhabitants’ quotidian drama is staged. This urban theater functions as fertile ground for the city walker’s observations, investigations, as well as subsequent artistic productions. A conventional flâneur is characterised as an aimless stroller for whom the very act of the ‘inspection’ of the crowd is a source of leisure. Yet, his desire is not only to experience the surroundings, but also to observe the physical construction of the city as well as its social dimension – the people around. Taking into consideration the very specificity of the flâneuristic figure, Anna Blume, despite representing the female part of society, can be regarded as a postmodern urban stroller since her only means of discovering and ‘learning’ the space is by walking along the city. Hence, the character created by Auster both diverges from the conventional image of the city walker in term of the characteristic features, and is consistent with it when the scope of the flâneur’s responsibilities is considered.


[1] Mumford, Lewis. “What Is a City?” In LeGates Richard and Frederic Stout The City Reader. London: Routledge, 2011. 91-95.


Keywords


Auster, flâneur, postmodernism, flâneuse, women, tradition, city walk

Full Text:

PDF

References


Auster, Paul. 1989. In the Country of Last Things. London: Faber and Faber.

Auster, Paul. 1988. “Locked Room”. In The New York Trilogy ed. Paul

Auster. London: Faber and Faber. 197-314.

Baudelaire, Charles. 1964. “The Painter of Modern Life”. In The Painter of Modern Life and Other Essays, trans. and ed. Jonathan Mayne. London: Phaidon Publishers.

Benjamin, Walter. 2006. “The Paris of the Second Empire in Baudelaire”. In The Writer of Modern Life: Essays on Charles Baudelaire. Cambridge, Massachusetts: Harvard University Press. 170-212.

Brand, Dana. 1991. The Spectator and the City in Nineteenth-Century American Literature. Cambridge: Cambridge University Press.

Brendan, Martin. 2007. Paul Auster's Postmodernity. New York & London: Routledge.

Ferguson, Priscilla Parkhurst. 2015. “The flâneur on and off the streets of Paris”. In The Flâneur ed. Keith Tester. New York: Routledge. 22-42.

Frisby, David. 2015. “The flaneur in social theory”. In The Flâneur ed. Keith Tester. New York: Routledge. 81-110.

Gelfant, Blanche. 1969. The American City Novel. Norman: University of Oklahoma Press.

Mumford, Lewis. 2011. “What Is a City?” In The City Reader ed. LeGates Richard and Frederic Stout. London: Routledge. 91-95.

Nesci, Catherine. 2014. “Memory, Desire, Lyrics: The Flâneur”. In The Cambridge Companion to The City in Literature ed. Kevin R. McNamara. New York: Cambridge University Press. 69-84.

Tester, Keith. 2015. “Introduction. In The Flâneur ed. Keith Tester. New York: Routledge. 1-21.

Salzani, Carlo. 2009. Constellations of Reading: Walter Benjamin in Figures of Actuality. Frankfurt am Main: Peter Lang.

Shields, Rob. 2015. “Fancy footwork: Walter Benjamin’s notes on flanerie”. In The Flâneur ed. Keith Tester. New York: Routledge. 61-80.

Wolff, Janet. 2015. “The artist and the flaneur: Rodin, Rilke and Gwen John in Paris”. In The Flâneur ed. Keith Tester. New York: Routledge. 111-137.




DOI: http://dx.doi.org/10.17951/nh.2018.3.86
Date of publication: 2018-08-17 08:52:20
Date of submission: 2018-01-03 07:41:26


Statistics


Total abstract view - 1319
Downloads (from 2020-06-17) - PDF - 0

Indicators



Refbacks

  • There are currently no refbacks.


Copyright (c) 2018 Julia Kula

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.