« Votre nom et charmant et extraordinaire ». Le personnage gothique à la recherche de l’identité : Madame de Winter du roman « Rebecca » de Daphne du Maurier

Anna Kędra-Kardela

Résumé


L'article contient uniquement les résumés en anglais.


Mots-clés


Daphne du Maurier, <em>Rebecca</em>, Gothic novel, damsel in distress, degothicisation

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Références


Aguirre, M. (2008). Geometries of Terror: Numinous Spaces in Gothic, Horror and Science Fiction. Gothic Studies, 10 (2), 1-17.

Armitt, L. (2000). Contemporary Women’s Fiction and the Fantastic. London: Palgrave.

Beauman, S. (2006/2003). Introduction to Rebecca by Daphne du Maurier. London: Virago Press, v-xvii.

Benwell, B., & E. Stokoe. (2006). Discourse and Identity. Edinburgh: Edinburgh University Press.

Du Maurier, D. (2006/1938). Rebecca. London: Virago.

Frank, B. (2005). Du Maurier’s Rebecca. Explicator. 63(4), 239-241. Retrieved May 27, 2019, from https://dokumen.tips/documents/du-mauriers-rebecca.html.

Hahad, S. (2012). Echoes in Gothic Romance: Stylistic Similarities Between Jane Eyre and Rebecca. Inquiries Journal/Student Pulse. 4(11). Retrieved September 10, 2018, from http://www.inquiriesjournal.com/articles/714/echoes-in-gothic-romance-stylistic-similarities-between-jane-eyre-and-rebecca.

Hall, D. E. (2004). Subjectivity, London: Routledge.

Horner, A., & Zlosnik, S. (1998). Daphne du Maurier. Writing, Identity and the Gothic Imagination. London: Macmillan.

Kędra-Kardela, A. (2015). The Gothic Space Revisited. In G. Czemiel, J. Galant, A. Kędra-Kardela, A. Kędzierska, & M. Komsta (Eds.), Visions and Revisions. Studies in Literature and Culture (pp. 169-179). Frankfurt am Main: Peter Lang.

Kőrösi, M. (2002). “Disembodied Spirits” Revisiting Manderley. The Construction of Female Subjectivity in du Maurier’s Rebecca. The AnaChronisT [8], 164-179. Retrieved June 8, 2018, from http://seas3.elte.hu/anachronist/2002Korosi.htm.

Lawler, S. (2014). Identity. Sociological Perspectives. Second edition. Cambridge: Polity Press.

Llompart Pons, A. (2013). Patriarchal Hauntings: Re-reading Villainy and Gender in Daphne du Maurier’s Rebecca. ATLANTIS Journal of the Spanish Association of Anglo-American Studies, 35(1), 69-83.

Nigro, K. (2000). Rebecca as Desdemona: “A Maid That Paragons Description and Wild Fame.” College Literature, 27(3), 144-57.

Spector, R. (1990). The Gothic. In Martin Coyle et al (Eds.), Encyclopedia of Literature and Criticism (pp. 1044-1054). London: Taylor and Francis.

Tóth, R. (2010). The Plight of the Gothic Heroine: Female Development and Relationships in Eighteenth Century Female Gothic Fiction. Eger Journal of English Studies, 10, 21-37.

Wisker, G. (2003). Dangerous Borders: Daphne du Maurier’s Rebecca: Shaking the Foundations of the Romance of Privilege, Partying and Place. Journal of Gender Studies, 12(2), 83-97.




DOI: http://dx.doi.org/10.17951/lsmll.2019.43.2.75-85
Date of publication: 2019-07-03 11:00:37
Date of submission: 2018-11-21 10:56:59


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Droit d'auteur (c) 2019, Anna Kędra-Kardela

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