Du texte gothique au cinéma néobaroque: « The Private Memoirs and Confessions of a Justified Sinner » de James Hogg dans l’adaptation par Wojciech Has

Zofia Kolbuszewska

Résumé


L'article contient uniquement les résumés en anglais.


Mots-clés


Wojciech Jerzy Has; James Hogg; provincial gothic; puritan-provincial mind; Neobaroque; anamorphic position

Texte intégral :

PDF (English)

Références


Bronowski, J. (Ed.). (1958). William Blake. Harmondsworth: Penguin Books.

Buci-Gluksmann, Ch. (1994). Baroque Reason: The Aesthetics of Modernity (P. Camiller, Trans.). London: Sage Publications.

Buci-Glucksmann, Ch. (2013). Madness of Vision: On Baroque Aesthetics (D. Z. Baker, Trans.). Athens: Ohio University Press.

Buell, L. (1987). New England Literary Culture: From Revolution Through Renaissance. Cambridge: Cambridge University Press.

Castillo, D. (2001). (A)wry Views: Anamorphosis, Cervantes, and the Early Picaresque. West Lafayette: Purdue University Press.

Davenport-Hines, R. (1998). Gothic: Four Hundred Years of Excess, Horror, Evil and Ruin. New York: North Point Press.

Deleuze, G., & Guattari, F. (1986). Kafka: Toward a Minor Literature. Trans. Dana Polan. Minneapolis: University of Minnesota Press.

Eberhardt, K. (1967). Wojciech Has. Warszawa: Wydawnictwa Artystyczne i Filmowe.

Egginton, W. (2007). The Corporeal Image and the New World Baroque. South Atlantic Quarterly, 106(1), 107-127.

Gibson, M. F., & Majewski, L. (2010). Bruegel: The Mill & The Cross. Olszanica: BOSZ & Angelus Silesius.

Grodź, I. (2008). Zaszyfrowane w obrazie: O filmach Wojciecha Jerzego Hasa. Gdańsk: Słowo/obraz terytoria.

Grootenboer, H. (2005). The Rhetoric of Perspective: Realism and Illusionism in Seventeenth-Century Dutch Still-Life Painting. Chicago: Chicago University Press.

Hamilton Thompson, A. (Ed.). (1910). The Works of Sir John Suckling. London: George Routledge & Sons, Ltd.

Herrick, R. (1969). Hesperides. Facs. Menston: Scolar.

Hogg, J. (1997). The Private Memoirs and Confessions of a Justified Sinner. Ware: Wordsworth Editions.

Insdorf, A. (2017). Intimations: The Cinema of Wojciech Has. Evanston: Northwestern University Press.

Karwański, T. (Producer), & Has, W. J. (Director). (1957). Pętla [Motion picture]. Poland: Zespół Filmowy Iluzjon.

Kaup, M. (2005). Becoming-Baroque: Folding Forms into the New World Baroque with Alejo Carpentier. CR: The New Centennial Review, 5(2), 107-149.

Kaup, M. (2012). Neobaroque in Americas: Alternative Modernities in Literture, Visual Art, and Film. Charlottesville: University of Virginia Press.

Lefevre, J., Rakowski, P. (Producers), & Has, W. J. (Director). (1988). Niezwykła podróż Baltazara Kobera [Motion picture]. Poland and France: Zespół Filmowy Rondo and La Sept.

Lewkowicz, K. (Producer), & Has, W. J. (Director). (1985). Osobisty pamiętnik grzesznika przez niego samego spisany [Motion picture]. Zespół Filmowy Rondo.

Manning, S. (2009). The Puritan-Provincial Vision: Scottish and American Literature in the Nineteenth Century. Cambridge: Cambridge University Press.

Maron, M. (2010). Dramat czasu i wyobraźni: Filmy Wojciecha J. Hasa. Kraków: Universitas.

Orczykowska, U. (Producer), & Has, W. J. (Director). (1973). Sanatorium pod klepsydrą [Motion picture]. Poland: Zespół Filmowy Silesia.

Parkinson Zamora, L., & M. Kaup (Eds.). (2010). Baroque New Worlds: Representation, Transculturation, Counterconquest. Durham: Duke University Press.

Salgado, C. A. (1999). Hybridity in New World Baroque Theory. The Journal of American Folklore, 112, 316-331.

Sarduy, S. (1975). Barroco (S. Sarduy, & J. Henric, Trans.). Paris: Seuil.

Słodowski, J., & T. Wijata. (1994). Rupieciarnia marzeń. Warszawa: Skorpion.

Straszewski, R. (Producer), & Has, W. J. (Director). (1964). Rękopis znaleziony w Saragossie [Motion picture]. Poland: Zespół Filmowy Kamera.

Toeplitz, K. T. (1964). The Films of Wojciech Has. Film Quarterly, 18(2), 2-6.

Turner, B. S. (1994). Introduction. In Ch. Buci-Gluksmann, Baroque Reason: The Aesthetics of Modernity (P. Camiller, Trans.) (pp. 1-36). London: Sage Publications.




DOI: http://dx.doi.org/10.17951/lsmll.2019.43.2.145-156
Date of publication: 2019-07-03 11:00:43
Date of submission: 2018-08-21 01:24:51


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Droit d'auteur (c) 2019, Zofia Kolbuszewska

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