Leben im Erdeinsturz: Bemerkungen zu „Get out!“ von Jordan Peel als dem gotischen Text

Jorge Bastos da Silva

Abstract


Der Artikel enthält Zusammenfassungen nur in Englisch.


Schlagworte


gothic; identity; human nature; animal; possession

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Literaturhinweise


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Brown, L. (2010). Homeless Dogs and Melancholy Apes: Humans and other Animals in the Modern Literary Imagination. Ithaca: Cornell University Press.

Carroll, N. (1990). The Philosophy of Horror or Paradoxes of the Heart. New York: Routledge.

Curtius, E. R. (1961). Europäische Literatur und lateinisches Mittelalter. Dritte Auflage. Bern: Francke Verlag.

Harari, Y. N. (2017). Homo Deus: A Brief History of Tomorrow. London: Vintage.

Kaku, M. (2012). Physics of the Future: The Inventions that Will Transform our Lives. London: Penguin.

Kenyon-Jones, Ch. (2001). Kindred Brutes: Animals in Romantic-Period Writing. Aldershot: Ashgate.

Kurzweil, R. (2009). The Singularity is Near: When Humans Transcend Biology. London: Duckworth.

Lovecraft, H. P. (2008). Supernatural Horror in Literature. In H. P. Lovecraft (Ed.), Supernatural Horror in Literature & Other Literary Essays (pp. 15-12). Milton Keynes: Wildside Press.

McKittrick, S., et al. (Producers), & Peele, J. (Director). (2017). Get Out [Motion picture]. United States: Universal Pictures.

Nash, R. (2003). Wild Enlightenment: The Borders of Human Identity in the Eighteenth Century. Charlottesville: University of Virginia Press.

Scott, W. (2006). Count Robert of Paris. Edinburgh: Edinburgh University Press.

Wiseman, S. (1999). Monstrous Perfectibility: Ape-Human Transformations in Hobbes, Bulwer, Tyson. In S. Wiseman, E. Fudge, & R. Gilbert (Eds.), At the Borders of the Human: Beasts, Bodies and Natural Philosophy in the Early Modern Period (pp. 215-238). Houndmills: Palgrave.




DOI: http://dx.doi.org/10.17951/lsmll.2019.43.2.125-133
Date of publication: 2019-07-03 11:00:41
Date of submission: 2018-07-30 19:32:27


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