From Brushes to Lenses: An Ekphrastic Stroll in "A Line Made by Walking" by Sara Baume

Joicy Silva Ferreira, Miriam de Paiva Vieira

Abstract


There is a sizeable body of scholarship concerning the ekphrastic relation of literature to painting – however, there has been ascending interest in other sources of inspiration, such as photography. The aim of this paper is to explore whether the categories used to analyse ekphraseis of paintings might apply to the ekphraseis inspired by photography in Sara Baume’s A Line Made by Walking (2017), considering that they provide insightful information regarding the creative process of the protagonist and her inner state. The notion of ekphrasis (Clüver, Vieira, Webb) and theories of photography (Barthes, Machado, Sontag) will be used as theoretical support.


Keywords


ekphrasis; photography; painting; intermediality; comparative literature

Full Text:

PDF

References


Barthes, R. (1984). A Câmara Clara: Nota sobre a Fotografia (J. Castañon Guimarães, Trans.). Rio de Janeiro: Nova Fronteira.

Baume, S. (2017). A Line Made by Walking. New York: Houghton Mifflin Harcourt Books.

Benjamin, W. (1936). The Work of Art in the Age of Mechanical Reproduction. Retrieved December 16, 2019, from http://www.marxists.org/reference/subject/philosophy/works/ge/benjamin.htm.

Bruhn, J. (2016). The Intermediality of Narrative Literature: Medialities Matter. London: Palgrave Macmillan.

Chevalier, T. (1999). Girl with a Pearl Earring. New York: Plume Printing.

Clüver, C. (2016). Ekphrasis and adaptation. In T. Leitch (Ed.), The Oxford Handbook of Adaptation Studies (pp. 459-477). New York: Oxford University Press.

Elleström, L. (2010). Media Borders, Multimodality and Intermediality. New York: Palgrave Macmillan.

Fainguelernt, M. (2014). A câmara escura e a fotografia. Scientiarum Historia, 7. Retrieved December 16, 2019, from http://www.hcte.ufrj.br/downloads/sh/sh7/SH/trabalhos%20orais%20completos/A-CAMERA-ESCURA-E-A-FOTOGRAFIA.pdf.

Heffernan, J. A. W. (1993). Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery. Chicago: University of Chicago Press.

Krauss, R. (1977). Notes on the index: Seventies art in America. Part 2. October, 4, 58-67.

Machado, A. (2015). A Ilusão Especular: Uma Teoria da Fotografia. São Paulo: Gustavo Gili.

Rajewsky, I. (2005). Intermediality, intertextuality, and remediation: A literary perspective on intermediality. Intermédialités, 6, 43-64.

Sontag, S. (1977). On Photography. New York: Farrar, Straus and Giroux.

Vieira, M. (2011). Ekphrasis in “Girl with a Pearl Earring”. Scripta Uniandrade, 9(2), 11-29.

Vieira, M. (2017). Écfrase: De recurso retórico na Antiguidade a fenômeno midiático na contemporaneidade. Todas as Letras, 19(1), 45-57.

Webb, R. (2009). Ekphrasis, imagination and persuasion in ancient rhetorical theory and practice. Surrey: Ashgate.




DOI: http://dx.doi.org/10.17951/lsmll.2020.44.2.51-62
Date of publication: 2020-07-14 13:48:31
Date of submission: 2020-03-15 17:21:13


Statistics


Total abstract view - 1152
Downloads (from 2020-06-17) - PDF - 802

Indicators



Refbacks

  • There are currently no refbacks.


Copyright (c) 2020 Miriam de Paiva Vieira, Joicy Silva Ferreira

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.