Aesthetic Qualities of Francis Bacon’s Canvases and the Issue of Value Response

Artur Mordka

Abstract


In the article the author considers the problem of value response, using the methods of the aesthetic theories which prefer the „material‟ approach to this axiological issue, as well as referring to Francis Bacon‟s painting. This answer is an emotional response to many dimensions of the painting. The analysis will concern, however, artistic factors whose significance is often omitted in general aesthetic investigations: the support (or basis) of the painting, the canvas‟ properties, the type of paint, the color layer, the paint-ing tools, and even the technical background – the type and size of the canvas. The anal-ysis of these categories presents how the colorful logos of the painting gradually emerges; the logos whose order of sensuous influence and violence of colour cooperate with for-mal discipline in creating the exceptional merit – a terrible beauty.

Keywords


painting; canvas; artistic value; beauty; aesthetics; ontology; Bacon

Full Text:

PDF

References


Archimbaud M., Francis Bacon in conversation with Michel Archimbaud, Phai-don Press, London 1993;

Arya R., Francis Bacon: Painting in a Godless World, Lund Humphries 2012;

Berggruen O., Picasso und Bacon: Das andere Ich malen¸ [in:] Francis Bacon und die Bildtradition, herausgegeben von Wilfried Seipel, Barbara Steffen, Chrisoph Vitali, Basel 2004;

Dawson B., Harrison M., Francis Bacon: A Terrible Beauty, Dublin City Gal-lery the Hugh Lane 2009;

Deluze G., Francis Bacon, translated from the French by Daniel W. Smith, London-New York 2005;

Durham A., Note on technique, [in:] Dawn Ades, Adrew Forge, Francis Ba-con, with a note on technique by Andrew Durham and a select bibliography, 291 il-lustrations, 195 in colour, including 21 fold-outs, Thames and Hudson, published in association with The Tate Gallery, London 1985;

Hartmann N., Der Aufbau der realen Welt. Grundriß der allgemeinen Kategorien-lehre, Berlin 1940;

Hartmann N., Ästhetik, zweite unveränderte Auflage, Berlin 1966;

Hammer M., Bacon and Sutherland, published for The Paul Mellon Centre for Studies in British Art by Yale University Press New Haven and London;

Ingarden R., O budowie obrazu, [in:] Studia z estetyki, tom drugi, wydanie drugie, Warszawa 1966;

Ingarden R., Przeżycie estetyczne i przedmiot estetyczny, [w:] Studia z estetyki, Warszawa 1970;

Ingarden R., Zagadnienie systemu jakości estetycznie doniosłych, [in:] Studia z estetyki, tom trzeci, Warszawa 1970;

Russel J., ‘The Mystery of the Paint’: Francis Bacon’s Materials, [in:] Francis Bacon. New Studies, centenary essays edited by Martin Harrison, Steidl, Göt-tingen 2009;

Schmied, W., Francis Bacon. Commitment and Conflict, translated from the German by John Ormrod, Munich – Berlin – London – New York 2006;

Shepard J., A Game of Chance: The Media and Techniques of Francis Bacon, [in:] Francis Bacon, A Terrible Beauty, curated by Barbara Dawson and Martin Harrison, Dublin City Gallery the Hugh Lane 2009;

Steffen B., Der Schrei, [in:] Francis Bacon und die Bildtradition, herausgegeben von Wilfried Seipel, Barbara Steffen, Chrisoph Vitali, Basel 2004;

Sylvester D., The Brutality of Fact. Interviews with Francis Bacon, third enlarged edition with 146 illustrations, Thames and Hudson 1987;

Sylvester D., About Modern Art. Critical Essays 1948-2000, revised edition, Pimlico 2002.




DOI: http://dx.doi.org/10.17951/kw.2014.9.5
Date of publication: 2015-04-20 21:29:06
Date of submission: 2015-04-17 14:58:39


Statistics


Total abstract view - 1001
Downloads (from 2020-06-17) - PDF - 0

Indicators



Refbacks

  • There are currently no refbacks.


Copyright (c) 2015 Artur Mordka

License URL: http://creativecommons.org/licenses/by-nc-nd/3.0/deed.pl